The Music of Hitchcock
Ran is offering a two-credit course
titled Film Noir: Alfred Hitchcock, The
Director and his Music, from June 12-22 at
the New England Conservatory.
The class will explore the wide range of
music used
in Hitchcock's films, from Poulenc to circus
rags to the semi-atonal to English pop.
Students will be encouraged to participate
by composing and improvising on the plots,
themes and characters in the great director's
works.
The course's first week (with meetings June
12, 14 and 15) focuses on Hitchcock's English
period. The tentative list of films for
viewing includes Lodger,
Blackmail, The 39 Steps, Sabotage, Young and
Innocent and Jamaica Inn. The
second week, with meetings June 19, 21
and 22, looks at the director's American
period. Films are expected to include
Shadow of a Doubt, Spellbound, Notorious,
The Paradine Case, Rope, Strangers on a
Train, and I Confess.
The full schedule and cost info is available
here.
For more information or to sign up, please
contact Margaret Ulmer of NEC's Continuing
Education department at (617) 585-1135 or
sumsch@newenglandconservatory.edu.
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Appraising Abbey Lincoln
Ran is working on an article on the singer
Abbey Lincoln for a jazz magazine. The
article offers a critical overview of
Lincoln's long career in music and film,
interspersed with Ran's memories of seeing
her perform dozens of times over the years
(from the early 1960s in New York City to
shows at Sculler's in Boston in recent
years). We'll let you know if and when it's
published.
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Ran Visits BU
Ran was a guest lecturer at an undergraduate
course on jazz at Boston University's
College of Fine Arts on March 6.
Ran's topic was the music of film
noir, and he called his talk "808 Noir,"
since the
classroom is in a building at 808
Commonwealth Avenue. Ran discussed music,
showed film clips and played several
compositions.
The class is taught by Professor Jeremy
Yudkin. Ran's appearance grew out of his being
interviewed by Professor Yudkin while he was
was writing Lenox School
of Jazz, which Ran attended from 1957 to
1960.
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Studying Schuller
Ran is pleased to announce that his annual
summer course will focus on the composer and
conductor Gunther
Schuller. Ran, Gunther, and
Fred Harris, director of wind and jazz
ensembles at MIT (who is completing a book on
the Polish conductor/composer Stan
Skrowaczewski), will all lead portions of
the course, which is titled: The Musical
Worlds of Gunther Schuller: Scratching the
Surface of a Compleat Musician.
The course will run from July 28 to August 7,
with meetings from 5:30 to 8:30 p.m. on July
28th and 30th and August 1st, 5th and 7th.
The class
meets at Ran's Brookline apartment, except
for Tuesday, August 5, which is a special public
evening at NEC with interviews and
performances.
This is the 23rd year of Ran's summer course.
Additional info, from a
forthcoming NEC
press release, follows:
Pulitzer Prize-winning composer and
MacArthur "Genius Grant" recipient Gunther
Schuller is a unique figure in American music
history. The quality and quantity of his
productivity in nearly every facet of music
(composition, performance, recording,
writing, teaching, and publishing), classical
and jazz, will no doubt ever be
replicated.
As a young man, Schuller played French horn
for Toscanini and Fritz Reiner, among other
giants, and performed and recorded with Miles
Davis, Gil Evans, John Lewis, and Charles
Mingus. By the time he was 40, he had become
a major
composer, receiving performances by
world-class orchestras and conductors,
important chamber ensembles and famous jazz
artists. He had also begun a new movement in
contemporary music, which he called Third
Stream, and he had become a first-rate and
discerning conductor. In 1967, he became the
president of New England Conservatory,
forever changing the face and mission of the
school and others like it.
The course will provide students with an
extremely rare opportunity to interact with
Maestro Schuller about his music, his life as
a composer, conductor and author, and his
vast experience working with dozens of the
most important classical and jazz artists of
the second half of the 20th century and the
beginning of the 21st.
Cost:
1 undergrad/grad credit: $1000/$2000
1 School of Continuing Education credit:
$500; early-bird tuition (paid by June
28): $435
Non-credit: $355; early-bird tuition (paid by
June
28): $310
There is an additional $30 NEC registration
fee for all participants. For more
information, please contact NEC's Margaret
Ulmer at (617) 585-1135 or
sumsch@newenglandconservatory.edu.
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